The figure of the Buddha, in literature and visual art, has been a source of inspiration and teaching for all Buddhist traditions. As an inscription on an eighth-century Chinese statue of the Buddha Amitābha states, “while highest truth is devoid of any image, without images there would be nothing to make visible its [being the] truth.” Indeed, visual culture has always played a significant role in Buddhist thought and practice. One of the most inspiring visual models of practice is the oxherding pictures series, which originated in China as part of the early Chan tradition and became more prominent in medieval Japanese Zen. Today, the oxherding pictures continue to inspire contemporary Buddhist practitioners in the West and resonate with a psychological understanding of how Buddhist thought and practice addresses conditioning and leads to awakening. In this program, we will explore the role of visual aids on the path to awakening in several Buddhist traditions and experiment with contemplating and making images as forms of practice. We will be particularly attentive to the oxherding pictures and how these images express the dharma.
Note: This program is for graduates of the Nalanda program.